The serie The Lines is changing! The suffix "Extérieur" is cut and replaced by autonomous names. There are now five pieces, including Dans un pli, written in parallel in 2011 and actually part of the project:
The Lines - Melody, for oboe The Lines - Perpetual sense of being out, far out to sea, for two female voices The Lines - Dans un pli, for flute and percussion The Lines - Haiku, for two flutes The Lines - Loisaida, for harpsichord 14.04.2012
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Uploaded the video of The lines - Extérieur1 for oboe solo. Screenplay with Béatrice Zawodnik and Roberto Molo. Filmed during the concert of the Ensemble Vide in Geneva, ARCOOP building in October 2011. 14.02.2012
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Writting a new piece for solo harpsychord, dedicated to Tamar Halperin. World premiere on May 13, 2012 at the Centre d'édition contemporaine of Geneva, during the Salon des dames organized by the Festival Eternal Tour in collaboration with the CEC. 02.01.2012
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The piece In-between is currently recorded under the label Sony Classical. Interpreted by the Geneva Chamber Orchestra, directed by David Greilsammer, the CD is planned for release in fall 2012. 11/17/2011
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Writting a new piece for two flutes, under the haiku's japan method. Commissioned by the swiss Ensemble Tetraflûtes. World premiere in april 2012. 11/5/2011
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Released in march 2011: first CD of the Vortex Ensemble, NEOS editions and with the piece Teh, for five instruments and voice. 03/13/11
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Writing a duo for flute & percussion, dedicated to Paolo Vignaroli and Alexandre Babel. Premiere in October, 2011. 02/02/11
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Writing a piece for a single voice dedicated to Cristiana Presutti, soprano. Second solo of the cycle The lines. Premiere in June, 2011 in Rome. Texts inspired by Mrs. Dalloway, Virginia Woolf. 10/23/2010
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Writing a piece for oboe solo, commissioned by the Ensemble Vide and Béatrice Zawodnik. This solo initiates a cycle untitled The lines. Premiere on February 12, 2011 in Rome. 09/23/10
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DVD release of the documentary Le jeu de la mort, available on the site of the french television. 05/29/10
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Commission from the OCG - Orchestre de chambre de Genève. Composition for string quartet and orchestra titled In-between. Premiere on September 21, 2010 during the inaugural concert of the 2010-2011 season of the orchestra, under the direction of David Greilsammer. 05/18/10
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Accepted as resident at the Swis institute Rome for the 2010-2011 academic year. Projects of composition and concert organisation. 05/15/10
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On the french tv France 2, on March 17, 2010, in prime time, the documentary Le jeu de la mort will be broadcasted. Written and produced by Christophe Nick, directed by Thomas Bornot, Alain Michel Blanc and Gilles Amado. Original soundtrack realized in collaboration with Frank Williams and Olivier Baudin. 03/04/10
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Composer-in-residence at the Casa Pantrova, Ticino, Switzerland, in february. Awarded by the ASM - Swiss musicians association. 12/25/09
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Composition project for spacialized orchestra, premiere in autumn 2010 in Geneva. 12/12/09
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In collaboration with Frank Williams and Olivier Baudin, realisation of the original soundtrack for a documentary produced by Chistophe Nick. Television broadcast early 2010. 11/29/09
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In association with Alexandre Babel: composition for percussion solo. Premiere in autumn 2010. 08/31/09
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In November 2009, the Tetraflûtes ensemble will record on a CD the piece l'Immobilité, a piece dedicated to the quartet. 07/17/09
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Commission from the Quatuor Bela: Composition of a string quartet in addition of an improviser, singer and double bass player. The quartet will work with Fantazio.
The peculiarity of this work is the association of four classical musicians with an improviser, involving writing with usual notes as well as signs. The creation will take place in August, 2009 to the Festival Les Nuits d'été à Aiguebelette-le-Lac, France. The piece will be played twice during the autumn at the Swiss Foundation, Pavillon Le Corbusier, in Paris and then at the Cave12, in Geneva. 05/04/09
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Composition of the music for song cycle for the show Le Cabaret bancal.
On texts from Sarah Marcuse, this work is written for a quartet
with Jocelyne Rudasigwa, doublebass, Léonard Plattner, guitar, Philippe Ehinger, clarinet and Sarah Marcuse, voice. The premiere will take place in Septembre 2009 at the Palais Mascotte in Geneva. 04/22/09
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Premiere on February 3, 2009 of the composition Teh, at the Maison de la Radio of Geneva, by the Vortex Ensemble. This piece was commissioned by the ensemble for five instruments and voice.
The proposition, from the ensemble, to work with the mezzo-soprano Céline Hänni influenced strongly the work. Great explorer, with large vocal capacities and interest for any kind of experiment, Céline Hänni participated in the preparatory work, through researches on different possibilities of sound productions. A complete lexicon was then made and used as concrete base for the composition.
The idea was to generate a music which lets the listener creating his own poetical construction: many silences, frictions, appearances and disappearances prevent from getting at once the word. We catch only fragments to assemble and mix, giving the possibility of creating a personal story.
"Teh" is the first phoneme in Tiqqun’s Premiers matériaux pour une théorie de la Jeune-Fille (Édition Mille et une nuits, 2001). A snippet: " … and finally the debacle facing the impossibility of returning on this side of time." An image of our ability to fight the established order. 01/21/09
From April 18 to 21, 2010, the trio concerts with Jean-Jacques Pedretti, Dorothea Schürch, Denis Schuler, will be recorded by Renaud Millet-Lacombe. CD project. 01/16/10
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October 2009: The archives of radio E.T. fm are on-line. Two nights of improvisation as well as the entire radio programs proposed during the festival Eternal Tour are on the site of the festival www.eternaltour.org10/12/09
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On September 11, 2009, during the festival Eternal Tour in Neuchâtel and on Denis Schuler's idea: The Experimental Radio Night II. With Benoît Moreau, Shirley Anne Hofmann, Julien Baillod and Anne Baudoux, from 11 pm till 7:00 am, broadcasted on radio and on internet. An actress and four musicians meet for the second night of improvisation in the Theater of Mascarons.
On September 6, 2009, during the festival Eternal Tour in Neuchâtel and on Denis Schuler's idea: The Experimental Radio Night I. With Dragos Tara, Anne Gillot and d'incise, de 23h à
7h00, from 11 pm till 7:00 am, broadcasted on radio and on internet. Four musicians are going to challenge the time and improvise on their instruments and with recorded sound material.08/13/09
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CD project with the group Fred, Gloria et les autres with Simon Aeschimann, guitar, Philippe Ehinger, clarinet, Yves Massy, trombone, Jocelyne Rudasigwa, double bass, Denis Schuler, drums and objects and Béatrice Zawodnik, oboe.
Initiated three years ago with an idea of half-written/half-improvised music, the project changed and the recorded sessions were exclusively improvised. The band investigates rich sound "territories", where the breath, the frictions, override the pulsation.
The record, released on May 15, 2009, is available in shops or by e-mail order on the site of the band www.fredgloria.ch. Julian Boutin and d'incise are guests on it. 05/21/09
New project for a new CD with The Ghost Dance! Recording sessions in Spring 2012 26/04/12
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In June, 2011, one week residence at the Swiss Institute Rome with Frank Williams and The Ghost Dance. The musicians will write the second album of the band. 05/01/11
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Release of the CD Temptation I'm yours, Frank Williams & The Ghost Dance. Concert in Paris for the vernissage on January 29, 2011 and then italian tour in April. 02/02/11
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The disc Cinq mille ans de danse crue... Et de grands pas chassés from the Fantazio gang takes out on vinyl on february 11, 2010. Presentation during the concert at the Cabaret Sauvage in Paris. 01/23/10
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Release of the CD Fantazio gang, Cinq mille ans de danse crue... Et de grands pas chassés, on November 30, 2009. 11/01/09
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CD recording with the band Fantazio Gang.
Around the singer and double bassist Fantazio, is the gang: Pierre Chaumié, baryton saxophone, Benjamin Colin, percussion, Stéphane Danielidès, soubassophone, Denis Schuler, drums and Frank William, guitar. The disc is about to be mixed and will take out in autumn, 2009. 08/02/09
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Recording a CD with the band The Ghost Dance.
Formed by Frank William who has already recorded two CD's under the name of Williams Traffics, The Ghost Dance is a peculiar group, with Bud, sound effects, Valentine Carette, voice, Benoît Daniel, keyboards, Denis Schuler, drums and Frank Williams, guitar and voice. The band incites to the swaying hips and appears as a soul and punk live nuclear era band from Paris. The disc will be available in spring 2010. 07/01/09
Programming a harpsichord solo concert during the Festival Eternal Tour 2012 in Geneva, on May 13. Tamar Halperin, harpsichord with the participation of Frank Williams, voice and guitar. Works from Bach, Purcell, Steve Reich, Baptiste Romain, Denis Schuler, Frank Williams. 26/04/12
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Programming of concerts for the Swiss Foundation, Pavillon Le Corbusier in Paris.
For the forth consecutive year, Denis Schuler proposes a contemporary and improvised music cycle in the curved lounge. 26/04/12
Concerts until June, 2011:
> 23.10.11 Cédric Jullion, flute solo - Carte blanche to Nimrod Sahar
> 13.11.11 Esther Davoust, Virginie Tarrête, Harp duet. K. Stockhausen, Freude
> 15.01.12 Frédéric Aurier and Noémi Boutin, violin and cello. Works from F. Sarhan
> 29.04.12 The Outer String - Werner Hasler and Vincent Courtois, trumpet, cello and electronic duo
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CD issue, titled Rock the Casbah, with the musics of the July 8, 2011 at the Swiss institute Rome. Edition: Nero. Production: ISR. 08/06/2011
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Definitive music program for July 8, 2011 at the Swiss institute Rome:
- Céline Hänni, voice. Experimental performances.
- Damit ich abreisen kann, with Najat Suleiman, voice, Yuji Noguchi, clarinets, Françoise
Rivalland, santur / zarb and Anna Spina alto / rhababa / whammy pedal. Contemporary music.
- Kamilya Jubran, voice and oud. Traditional music and contemporary poetry.
- Camiguzi, with Noïca Llanos and Gero von Marientreu. Audio-video dj set
- Maryam Saleh, voice, Tamer Abu Ghazaleh, oud / percussion and Zeid Hamdan, voice / machines. Electro-pop music. 07/03/11
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Invited by the Swiss Institute Rome to produce six hours of music under the shape of a carte blanche, the composer and the musician Denis Schuler chose to propose, in association with the historian of the art Noémie Etienne, a new and original musical programming, thought as a long sound play made by singular movements and by echoes. 05/09/11
Date: July 8, 2011. Program to be confirmed.
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As part of the festival Eternal Tour 2011 in Las Vegas, interdisciplinary and collective project: conception and organisation of concerts between New York and Las Vegas. 04/11/11
Dates: December 2011. Project to come.
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In partnership with the Swiss Institute Rome, the Ensemble vocal de Poche and the Ensemble vocal Séquence, organization of two concerts in the Pantheon and in the church Sant Isidoro (Rome). 03/23/11
Date: June 27 and 28 , 2011
Works by Monteverdi, Giovanni Guaccero, Arvo Pärt, Denis Schuler
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In collaboration with the Ensemble Vide, co-creation of the show Teorema, that mixes contemporary and baroque music with readings. 02/01/11
Date: February 12, 2011 at the Swiss institute Rome.
Works by Ada Gentile, Daniele Bravi, Denis Schuler,Salvatore Sciarrino, J.-S. Bach and readings by Pier-Paolo Pasolini and René Descartes.
With: Béatrice Zawodnik, oboe, Wendy Ghysels, violin, Matteo Mela, guitar, Noëlle Reymond, double bass and Roberto Molo, reading and acting.
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Founding member of the Ensemble vide in Geneva, structure thought of as a kind of think tank on contemporary sound. 01/12/11
Ensemble vide is an interdisciplinary research platform focusing on contemporary sound and musical creation. Through concerts, performances, installations and conferences, the group offers a view on music today and intends to support the creation of new works. Favoring an investigative and open minded approach to the contemporary musical culture, the Ensemble vide sets up a theoretical and practical space for thought and realization. Created and managed collectively by musicians, composers, film directors, artists and scientists, the platform aims at being a transverse place of experiment towards a reading and a listening of our world. This social commitment intends to allow for meetings and confrontations, both within the artistic content itself and its relationship to the public, the spectator or the listener.
The methods used to make the existence of such a platform work, are multiple. The Ensemble Vide works and questions the location, the content and the shape of every single project. The events can be organized in peculiar or special places, outside of the usual concert hall, in theaters, in public places, schools or prisons. The ensemble can propose original scenographies and reinvented audience dispositions. It can allow unsusal audiences, teenagers, children to take part in the reflexion and creation process, adding an educational value. A specific project can involve or include various starting points and musical aspects: if it is about contemporary music, experimental music and research, it can also be about sound installations, texts, readings, classical or traditional music. With these "ingredients", the general shape of a project is thought of, carved out and then emerges. The working process tries to build a network of relations - as a prerequisite to the meaning - and questions the relations which can be built with the spectators.
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Programming of concerts for the Swiss Foundation, Pavillon Le Corbusier in Paris.
For the third consecutive year, Denis Schuler proposes a contemporary and improvised music cycle in the curved lounge. 01/12/11
Concerts until June, 2011:
> 06.02.11 Anna Spina, alto solo. Works by Xu Yi, M.Roth, S.Sciarrino, G.Grisey
> 20.02.11 Nicolas Field, percussion and electronic solo.
> 10.04.11 Florestan Boutin, piano solo. Works by J.Cage and improvisations
> 22.05.11 Matthieu Steffanus, clarinet solo. Works by G.Scelsi, G.Aperghis, M.André
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Within the festival Eternal Tour 2010 in Jerusalem/Ramallah, direction and organisation of a concert for two violins in the Augusta Victoria church on the Mount of Olives:
The last composition of Luigi Nono, written in 1989 for two violins, "Hay que caminar soñando", proposes a musical path which takes the performers and the audience in various spaces throughout the work. Voluntarily disturbing the order which establishes a strict relationship stage/audience, the composer invites the listeners to experiment his hearing of the piece while moving. Through the perception of the specific qualities of the instrument in various spaces and different acoustics, the listening explores different perspectives. Through contextualisation, the spectator can build his own particular story, being intimately connected with the spaces.
Within the themes developed by the Festival Eternal Tour, this concert offers an artistic thought on the questions of space and time, movement and location, memory and interpretation. A way of underlining that the perception of an event is necessarily related to the point from which we perceive it.
Works by Olga Neuwirth, Luigi Nono, Eric Gaudibert and Helmut Lachenmann
Musicians: Rada Hadjikostova and Patrick Schleuter, violons and Denis Schuler, tamborin
Just like his rich and non conventional path, Denis Schuler explores musical "territory". He draws material from such varied domains as traditional music, improvisation or the so called western classical music, confronting and combining multiple influences, allowing for his personal voice to emerge. Through thorough study of rhythm and sound material, his work investigates and approches the limits of hearing, particularly towards silence. The music proposed by Denis Schuler demands a specific kind of concentration where the ear often has to focus, catching breathes and noises and offering the audience the possibility of actively taking part in the listening process.
His compositions were commissioned and created by the Orchestre de Chambre de Genève and ensembles such as the Vortex ensemble, Nederland Kamerkoor, Tetraflûtes, Le Concert Impromptu, Quatuor Bela, Ilôrkestra and Ensemble Vide. He was awarded many prizes and received the support of from the Swiss Musician Association (ASM), the Henneberger-Mercier Foundation, the Nicati-de Luze Foundation, the Patiño Foundation, the Foundation Suisa for Music, the Cultural Founds of the Swiss state, the Loterie Romande and from the Town and State of Geneva. He also created numerous musical compositions for theatre, the Schauspielhaus in Zurich, the Tojo in Bern, the Théâtre de Carouge, the Théâtre du Grütli in Geneva and composes for tv documentaries (Le jeu de la mort, broadcasted in march 2010 on the french public tv France 2). In addition, he performs as drummer and percussionist. He plays with bands from the new french scene such as the Fantazio Gang (Paris) and Frank Williams & the Ghost Dance (Paris). Until 2003 he also played with The Dead Brothers. He performs experimental music with people like Dorothea Schürch and Jean-Jacques Pedretti (from Zurich).
Born in Geneva, Denis Schuler went on to study composition with Nicolas Bolens, Eric Gaudibert and Michael Jarrell. In 2005, he was awarded the Patiño Foundation scholarship, which enabled him to study at the Cité Internationale des Arts, Paris, under the direction of Emanuel Nunes (CNSMDP). In 2006 he graduated with honours after composing a concerto for percussion trio and orchestra. He was the first Swiss to be awarded the first prize at the International Composition Competition of Sacred Music, Fribourg, in 2008.
Denis Schuler has been resident in the Swiss Institute Rome for the 2010-2011 academic year. His project included compositions and concerts organization, in partnership with composers, ensembles and musicians, among which the Ensemble vocal de Poche, the Ensemble vocal Séquence and the Ensemble Vide.
He is also musical curator and proposes programs and ensembles for diverse structures as the Fondation suisse – Pavillon Le Corbusier in Paris, the Eternal Tour festival and the Ensemble Vide. This work leads him to think about the contents of concerts, the venues and the way the audience perceive the whole project. He favors programs that include unusual places for contemporary music and proposes original stage dispositions. These "sound-perception objects" allow the musicians to create a new relationship with the auditors, offering them new listening possibilities.
2012
- Support for creation, Suisa Foundation for music
2011
- Resident at the Swiss institute Rome, one academic year
- Support for creation, City of Geneva
- Support for creation, State of Geneva
- Support for creation, Henneberger – Mercier Foundation
- Support for creation, Nicati-de Luze Foundation
2010
- Composer in residence, Casa Pantrova, Ticino, Switzerland, ASM – Swiss Musician Association
- Support for creation, Loterie Romande - Support for creation, Cultural office, State of Switzerland
2009
- Support for creation, Suisa Foundation for music
- Support for creation, ASM – Swiss Musician Association
- Support for creation, Henneberger – Mercier Foundation
- Support for creation, Nicati-de Luze Foundation
2008
-1st prize at the International sacred musics competition of Fribourg (Switzerland)
2007
- Support for creation, Cultural federal office, State of Switzerland, cultural founds
- Support for creation, Henneberger – MercierFondation
2006
- Prize of the Conseil d’Etat de Genève
- Support for creation, UBS Foundation for culture
2005-2006
- Scholarship of the Fondation Simon I. Patiño, residence at the Cité des Arts, Paris, France
Contemporary music, music for theater
2012
- The lines - Haiku, for piccolo and bass flute ------- Download excerpt
Commissioned by the ensemble Tetraflûtes. Premiere on April the 1st, 2012 by the Tetraflûtes ensemble at the festival Le Printemps Musical d'Annecy
- The lines - Loisaida, for harpsichord solo ------- Download excerpt
Commissioned by the Festival Eternal Tour. Premiere on May 13, 2012 by Tamar Halperin in Geneva, at the Salon des Dames in the Centre d'Edition Contemporaine
2011
- The Lines - Dans un pli, for flute and percussion ------- Download excerpt
Premiere on August 30, 2011 by Paolo Vignaroli and Alexandre Babel in the G11 galery, Berlin, Germany
- The lines - Melody, for oboe solo ------- Download excerpt
Commissioned by the Ensemble Vide. Premiere on February 12, 2011 by Béatrice Zawodnik in the Swiss institut Rome, Italy
- The lines - Perpetual sense of being out, far out to sea, for two femmale voices (sopranos)
Premiere on June 28, 2011 by Cristiana Presutti and Gyslaine Waelchli in the San Isidoro church, Rome, Italy -------
Download excerpt
2010
- In-between, for string quartet and orchestra ------- Download excerpt
Commissioned by the Orchestre de chambre de Genève. Premiere on September 21, 2010 by the Orchestre de Chambre de Genève. BFM, Geneva, Switzerland
- Sept secondes arrêtées, for percussion solo ------- Download excerpt
Premiere on August 30, 2011 by Alexandre Babel, in the G11 galery, Berlin, Germany
- Le jeu de la mort, Original soundtrack for the documentary
In collaboration with Bud and Frank Williams. Commissioned by Yami2 Production. First television broadcast on France 2, in prime time, on March 17, 2010
2009
- Haiku11, for string quartet and an improviser (voice/doublebass) ------- Download excerpt
Commissioned by the Quatuor Bela. Premiere on August 7, 2009 by the Quatuor Bela and Fantazio, at the Festival Les Nuits d'Eté, Aiguebelette-le-Lac, Savoie, France
2008
- Composition for ten performers, actors and musicians
Commissioned by the Théâtre du Grütli. Premiere
on April 4&5, 2008, by the Dante All Stars,
at the Festival ArchipelThéâtre du Grütli,
Geneva, Switzerland
- Teh,
for soprano, oboe, violin, guitar, doublebass and
percussion ------- Download excerpt
Commissioned by the Vortex ensemble.Premiere on February 3, 2009 by the Ensemble Vortex in Geneva, Switzerland
2007
- Oscura
Luce, for a cappella choir ------- Download excerpt
First prize awarded at the Fribourg's International Composition Competition for Sacred Music. Premiere by the Nederlands
Kamerkoor (Nl) on July 10,
2008 at the Festival de Musiques Sacrées de Fribourg, Switzerland
- Faustregel,
for soprano and six instruments ------- Download excerpt
- L’Immobilité,
for flute quartet ------- Download excerpt
Commissioned by the ensemble
Tetraflûtes. Premiere on October 28, 2007 by the ensemble Tetraflûtes in Cheseaux, Vaud, Suisse
- Le
Récit du monde, for bass clarinet, flute, electric guitar,
percussion, voice and reader. Commissioned by Le Concert Impromptu, text from Michel Thion. Premiere on May 15&16,
2007 by the Concert Impromptu, at the Festival Musique
Action, Nancy, France
2006
- Jouer
la mort, for oboe, guitar and doublebass
Commissioned by the Vortex ensemble.
Premiere the 29th of march 2007 by the Ensemble Vortex at the Festival Archipel, Geneva, Switzerland
- Paradeigma,
for three percussions and orchestra ------- Download excerpt
Premiere for the composition diploma on May 2006, HEM Geneva, classe of Michael
Jarrell
- Round,
for seven snare drums ------- Download excerpt
Premiere at the Cave 12 in June,
2006, Geneva
2005
- Composition
1 : diffraction, for orchestra (Paradeigma study)
Reading at the Conservatory of Geneva in May, 2005
- Ecarts,
for baryton oboe and bass clarinet
Reading at the Conservatory of Geneva in March, 2005
2004
- Mouvements,
for wind quintett
Premiere in April, 2004 during a composer workshop with the Contrechamps ensemble, Geneva, Switzerland
- Suspension,
for alto solo.
Premiere in June, 2004 at the Théâtre de Poche, Fête de la
Musique, Geneva, Switzerland
- Etude,
for string quartet
Reading in March, 2004 in the Conservatory of Geneva, Switzerland
2003
- 5
petites pièces, for jazz ensemble
Commissioned by the ensemble
Ilôrkestra. Premiere in December, 2003 at the Ecurie,
Geneva, Switzerland
- Etude-continuum,
for oboe, clarinet and bassoon
Reading at the Conservatory of Geneva in May 2003
2002
- Quelque chose, acousmatic piece for a single man
- Quatre
chants des dieux, for four male voices, acordion, trompet and drums
In Der gute
Mensch von Sechuan, directed by Meret Mater. Premiere at the Schauspielhaus theater in November, 2002,
Zurich
-
With Pierre Omer and Simon Delsperger: composition of the music of Der diskrete
Charme der Bourgeoisie, directed b yMeret Matter
and from Luis
Buñuel. Premiere at the Théâtre Tojo, Bern and Schauspielhaus, Zurich in February-March 2002
2001
- Composition sans titre,
for twelve instruments around the public and eleven notes
Premiere in March, 2001 at the Arquebuse, Geneva, Switzerland
- Chant
du retour and Danse,
for four male voices, clarinet and marimba
In
Ajax, directed by Guillaume Chenevière. Premiere in October, 2001 at the théâtre de Carouge, Geneva, Switzerland
Songs,
melodies, diverse musics
2009
- cycle de chanson for the singer Sarah Marcuse, premiere in September, 2009 at the Palais Mascotte, Geneva,
2008
- Miss Tic,
Beurre salé, Café noir et Dedans de
moi, songs written for Sarah Marcuse. Premiere in January, 2008 at the Contretemps, Geneva
2006
- Aller – Retour,
for oboe, clarinet,
trombone and drums.
Premiere by the band Fred, Gloria et les autres in March, 2006 at the
Centre Culturel Suisse, Paris
2005
- Le
Rendez-vous de Fred, for oboe,
clarinet, trombone, guitar, doublebass and drums. Commissioned by Fred, Gloria et les autres. Premiere on June, 2005 at the
Festival des Cropettes, Geneva,
- Soluble dans
l’eau, for the same band
- Pas
en mi, for the same band
2003
- Nocturne,
for accordion and marimba. Premiere in August, 2003 by the band Les
Collègues Pasha, Alhambra, Geneva
- Intro,
for accordion alone. Premiere in
August, 2003 by Pierre Omer, Alhambra, Geneva
2000
- Good Time
Religion et Hora,
songs
co-written by the band The
Dead Brothers and recorded on the disc Dead Brothers,
Voodoo Rythm
Records, 2000
1998
- Certe,
for clarinet, guitar,
accordion and percussion. Premiere in November, 1998 by the band Balagan, La Chaux de
Fond,
1997
- Fausse valse,
melody. Premiere in July, 1997 by the band Balagan, Toulouse, France,
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The lines - Extérieur1, for solo oboe (2010)
Ensemble Vide, Béatrice Zawodnik
Rec: Concert of the Ensemble Vide, ARCOOP building, Geneva, October 4, 2011
Oscura Luce, for a cappella choir (2007)
Ensemble vocal de Poche in collaboration with the Ensemble vocal Séquence
Conductor: Laurent Gay
Recording: Sant Isidoro church, Rome, Italy, June 28, 2011
Teh, for voice and five instruments (2008)
Ensemble Vortex and Céline Hänni
Recording: Maison de la Radio, Geneva, Switzerland, October, 2010
Sound ingeneer: Benoît Piccand
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